Journals of the Undead

Tag: 19th century

  • The Black Vampyre & Carmilla

    The Black Vampyre & Carmilla

    I never run out of books to read. In fact, I have 50+ unread books at the moment on my shelves, but that doesn’t stop me from buying some more. The latest additions are two 19th century vampire stories: Sheridan Le Fanu’s Carmilla and Uriah Derick D’Arcy’s The Black Vampyre.

    I chose them because I’m working on my next vampire novels that are set in the 19th century and reading books from that historical period helps me get into the mood. I also pay close attention to the language, to how people addressed each other and how they described the world around them. Whilst I don’t want to sound like a 19th century author, I don’t want to sound too modern either.

    I haven’t started reading Carmilla so I cannot provide any feedback at the moment. I chose it because this 1870s novel inspired Dracula and the vampire is female.

    The Black Vampyre (1819) I have read. It sounded very promising: the first black vampire story and the first comedic vampire story that also had a revolution going on in the background. The main character is a slave who transforms into a vampire after being killed by his captor and seeks revenge. So far, very promising. Yet I was left with mixed feelings. The plot summary was better written than the story, in my opinion. If I were reading this in the 1820s then I would have been excited for this was an entirely new genre and I love a good revenge story. However, I was reading this as a modern reader (that is difficult to surprise). The author (whose true identity remains unclear) wrote the Black Vampyre as a response to John William Polidori’s The Vampyre. Polidori’s story became a sensation and what usually happens when something becomes a sensation? Many others try to create something similar. Personally, I found the language in The Black Vampyre difficult to follow but maybe that’s because it’s written in English as it was spoken in the United States 200 years ago. Overall, it was an interesting reading experience.

    I’m also planning to read The Pale Lady by Alexandre Dumas père. I had no idea that the author of The Musketeers and The Count of Monte Cristo had also written a vampire story!

  • Behind the Scenes: Vincent

    Today is Vincent’s birthday so in this post I want to talk about my favourite character. It is mentioned in the novel that Vincent is certain of his year of birth, 1802, but does not know his birthday and chose the date himself. As the youngest son of a large and poor working class family in London, his parents wouldn’t have paid much attention to when their children arrived in this world. In those days, they would be more concerned about whether their offspring would make it past the age of 5. Back then five-year-olds were deemed to be old enough to work and supplement the family income.

    Vincent was the first character I created. For a while my favourite character was Lucretia and that heavily influenced the plot but now, when I read my own stories, it is Vincent that I empathise with the most. He’s the only one who never really came to terms with turning into a vampire, there’s something beautiful, sad and tragic about him. He’s one of those characters you want to hug and say that this too shall pass and everything’s going to be fine even though you know it’s not true.

    I was at uni when I wrote his story, Tiredness, and had to do research for a study course, I can’t remember which one now. What I do remember is that it involved reading some chapters of The Capital by Karl Marx. I was so horrified to learn about the terrible living and working conditions of the workers in industrial England that I incorporated some of it in Tiredness.